"A madness shared by two."
I enjoyed this episode on a number of levels, both as a stand
alone effort, but especially for what I perceived its place to
be in the grand scheme of things. First and foremost I thought
it was creepy - in my opinion not the easiest thing to do given
the massive potential for cheesiness with the monster. I thought
the teaser was marvelous with director Kim Manners using that
effective overhead shot to travel through the buzzing drones of
these insignificant workers in their colony. I'm glad they fuzzed
out the bug shots. Making it jittery and jumpy like something you
think you see just out of the corner of your eye. By the time
Brian Markinson as Lambert gives that sweaty, high strung whisper
of "it's here" I thought we were in for some good old fashioned
scares.
I also like the way writer Gilligan and Manners infused the
episode with sights and sounds that remind one of bugs.
Everything from the way Pincus was fidgeting with his hands as
Mulder interviewed him, to the buzzy tone on all the recordings,
the rewinding tape, and the music on the television had that
effect.
However, when all was said and done, what stuck with me was
that for a monster of the week (and how much more monster of
the week can you get than a giant attack bug) I found it an
excellent lead in for the season finale and the movie this
summer. Why? Well, because it so nicely highlighted what has
long been, in my opinion, one of this series most intriguing
journeys: Scully's eroding skepticism. While the journey has
not been as quick as some would like, and has certainly has
had its setbacks, the progression has long been there. The
first and easiest pill to swallow was the conspiracy angle
which she did long ago, gradually becoming more and more drawn
into the huge nature of it along with the resulting paranoia.
However, ever since her testimony in "Terma", complete with
the description of an extraterrestrial organism, she's been
also moving in fits and starts towards the idea that just
maybe there might be something to this little grey men thing
after all. I've perceived her going back and forth this season
on the paranormal - believing one week, hard edged the next -
as the character desperately trying to hold on to her defining
world view. Her fight back against the erosion occurring - her
descent into what is Mulder's paranormal madness.
In Vince Gilligan's script we see that whole struggle in one
episode. She pushes back and pushes back against this "madness",
but when the chips are down and it all becomes clear that it
really has to be the two of them against the world - Mulder
and his "one in five billion" -she sees what he sees. She
shares what the world sees as madness. I don't see the ending
of this episode (and it should have ended when the elevator
doors closed - enough with the tacked on forced "creepy" endings
already) as her dismissing Mulder or the experience as much as
admitting their place together - a madness shared by two. Perfect
setup, as it seems pretty clear to me that over the next several
chapters of the X-Files tale we are going to have what will amount
to Mulder and Scully fighting alone united against the odds. I
also believe there is a payoff in the works as far as Scully is
concerned: her moving closer and closer towards a place where she
will be confronted with undeniable proof and will also believe -
certainly not in everything (we can't have that) - but I bet lizard
aliens rank pretty high on the list.
There were really nice performances this episode from both our
leads. I thought Duchovny was excellent in his screaming bed bug
terror as he tried to cajole the nurse through his panic into
letting him loose. Duchovny and Anderson certainly got a lot of
mileage (above and beyond Scully and Mulder's frequent flier miles
back and forths to Chicago) out of their scenes together. The
partnership issues going on throughout this story were quite
intriguing. It was nice to see Scully push back at the start
with her "you keep saying 'I'. I heard 'we'" and I think some
of the latent resentment of being left, coupled with getting
tasks over the phone (something about an immediate hang up after
"I appreciate it" dilutes the sentiment a little), added fuel to
their confrontation. I really like the moment Anderson had in
this scene when she does the big mental "whoops!" to Mulder's
admission that he had seen the monster and asked "Does that make
me sick too?" I got the feeling that if Mulder had just stuck
around instead of walking out that they would have been able to
come to better resolution than the "absolutely not" / "I'll prove
it without you" standoff they were in.
Instead, what we get is them acting at odds until Mulder is
locked up in the psycho ward. Scully, as usual, plays dumb
with Skinner while about to burst a blood vessel silently
fuming over her assigned autopsy while Mulder runs off
without sleep on a bug hunt. That's effective teamwork.
However, all this general crankiness is worth it for me for
the hospital scene. That last exchange boils down to its
very essence what makes this partnership what it is, and
when Mulder's "you have to believe me" speech is delivered
with that pleading face complete with the admission that she's
it on the planet for him - well - "absolutely not" turns quickly
into corpse flipping and Action!Scully to the rescue.
While I certainly wouldn't rank this episode a classic, or even
one of Gilligan's best, I do appreciate it for saying some
interesting things about the characters while something went
buzz in the night.
Random Musings
------------------------
-Retreads Galore: Brian Markinson (who did a spectacular job
of portraying Gary Lambert's descent) gets a much better script
this time around than when we first saw him in "Born Again". I'm
sure everyone recognized Agent Rice from "Pusher". Also Mr. "Dial
and smile" was covered in lots and lots of makeup to play Harper
in "Dod Kalm". It seems they only have one actress in Vancouver
capable of playing a newscaster in the X-Files - the Massachusetts
reporter from "War of the Coprophages" apparently got a better news
gig in Chicago after reporting from Houston way back in 1977 during
"Space" (quite well preserved isn't she).
-Talk about your fast work. We don't call them the dynamic duo
for nothing. Skinner gives them the assignment at 9:12AM and by
12:14PM that day Mulder has managed to get from the FBI building
to Oak Brook IL, interviewed Pincus, started a profile and returned
to VinylRight. Meanwhile, Dana "Evelyn Woods" Scully has, after a
call from Chicago, scanned through hundreds of old case files
looking for a simple phrase buried within them. More impressive
still she has joined Mulder in Chicago by (according to the
cafeteria clock) around 2:30 that afternoon. You certainly can't
accuse these two of dawdling.
-We've get an episode date stamp when Mulder writes the day of
the Oak Brook crisis on the map: 5-10-98.
-Call me jaded, but I'm just amazed that they had Mulder's
fingers bandaged in this episode. It is almost as if they
actually remembered the events of the previous episode.
Weirdness.
-What's up with "Monster Boy"? It's OK when he digs up werewolves
or goatsuckers or mothmen or killer trees, but God forbid Skinner
should ever assign him a case without him getting all pissy about
it. Remember FlukeMan Mulder?
-Frank's Fashion Spot: I just love Scully in a double breasted
suit and that new lavender one at the end was to die for. Speaking
of dying someone should give Skinner's "patriotic" ties a quick
burial at sea. I don't know how many different flag ties the man
has, but I could do with out the oval flag design we saw this week.
-I really liked the long hand held camera shot when Scully arrives
in her Lariat rental for the hostage situation. The only odd thing
is that the road behind her appears to be completely blocked off
so God only knows where she is arriving so quickly from.
-I just loved the line: "I'm not addressing you. I'm addressing
the actual people over here, OK?"
-In the it's the little things that count category: nice reaction
shots by Gillian as she watches the hostage crisis unfold. Especially
when she first sees Mulder on the monitor and momentary relief turns
to fear again as she sees the immediate danger he is in.
-I'll have to guess Scully just had not had her morning coffee yet
and that was what provoked the silly question "Mulder, why didn't
you take the day off?"
-Well we finally have a catch phrase for Skinner. It's no "Mulder,
it's me", but he seems to be saying "I'm at a bit of a loss here"
with regularity.
-I'm glad we never saw Scully's final answer to Skinner when he
asks what she saw. Just the "it was dark" qualifier and a nervous
pause. She knows. We know. Now bring on the finale.
Autumn
"I told you so."
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