The best X-Files are always the ones where it is
personal. Sure, our dynamic duo investigating the
monster of the week in detached mode can prove
entertaining, but when it really gets close to the
heart the X-Files is at its best. This is what makes
episodes like "Beyond The Sea", "One Breath",
"Irresistible", "Colony", and the "Anasazi" trilogy
stand out. We care because they care so much.
While I would not put "Oubliette" at the same level
as those classic episodes, I would put it close. It
was emotional, suspenseful, enthralling, and most
importantly personal. The season to date has been
for the most part Scully's show and now it is
Duchovny's turn to shine and he responds with a
vengeance. His scenes crackle with emotion. One
of the best shows this season.
It is interesting that from the start of this episode
Mulder is alone. As I watched him approach the
scene I couldn't help but wonder where Scully was.
This episode had them detached. Scully has a
delayed flight, Mulder misplaces his cell phone (what
is that all about?), and Mulder conducts most of his
personal investigation sans-Scully. Meanwhile she
diligently plods along flanked by the other agents
doing logical, thorough detective work and finding
all the solid evidence in the case: the name of the
killer, the matching blood, etc.
The emotional underpinnings of the episode are
intense. Mulderangst abounds from the start. First he
is slammed by the mother of Amy with "I'm sorry, but
how could you really know how I feel" then he
struggles in his relationship to the wonderfully played
Lucy Householder (does the X-Files get the best
performances out of guest stars or what)? For a switch,
Scully's support for him takes on an almost weak and
condescending air (intentional or not). Their relationship
misfires repeatedly in this story disappointing both of
them. Scully seems to begin formulating her opinion
on Mulder's involvement in this case from the moment
she hears Lucy was abducted at age 8 and it colors
the rest of her dealings with him in this episode.
The ongoing tension between Mulder and Scully is, as
usual, wonderfully played. They don't agree yet they
still try to make small amends throughout by personal
requests (keep this under your hat) or via small signs
of support. However, Scully soon makes up her mind
as to Mulder's motivations (which is once again
telegraphed to us without dialogue by the talented Ms.
Anderson) and the resulting argument is a great X-Files
moment. They are flip, indifferent, impatient and testy
with each other. Finally, Scully steps over the line (and
I think she knows it). Mulder's reaction is full of
unspoken emotions and shattered expectations. It has
been a while since Scully has brought up his sister as
clouding his judgement (I can think of "Conduit" and
"Miracle Man"), and it hurts him. At least in the final
moments we get some resolution to the tension
between them with what appears to be an attempt at
peace by Scully.
The ending is still a bit of a puzzle for me. CPR is
performed for a minimal amount of time before Dr. Scully
gives up on the girl. This does not seem to be the same
Scully I saw forcing the doctors to continue working in
"Lazarus" or "Endgame". Does she give up so easily in
this case due to her concern for Mulder's well being or is
it simply a plot device? At least, once again, the scene
between the two of them in this moment is intense and
full of emotion.
All in all I enjoyed this episode. I found the supporting
actors outstanding and the story fulfilling, tense, and
surprising.
Random Thoughts:
-Brilliant opening. The cinematography with the flashes
escaping through the trap door was flawless.
-This is the season of the sensible shoes. We once again
have Dana in appropriate footwear for running around in
the forest!
-Teen philes help me out here. Would a 15 year old really
be asleep by 10pm?
Autumn
"Well that's spooky" "That's my name isn't it?"
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